Thursday, August 27, 2009

The Origins of My Comic Career & Smokin' Tokin' Orangutangs


Well, I can't exactly pin it down to any one date, but there were specific moments in my life that defined my Comic career, which is still evolving, changing, and moving to this day. I am inspired to write some of those moments here because of the writings of my long time, good friend, Skip Williamson. Skip has had a major impact on my life since I first saw him on the campus Culver-Stockton College in 1965. He was the only cool Beatnik on campus, that I can remember with a beard. Wow what a shock !!!! I thought everyone at college would have beards and or goat tees, wearing leather sandals!!!!!!!!!!! Wrong...........but let me, skip college and fast forward to the Spring of 1968, Chicago.

I had just been discharged by the US Navy for confessing to smoking Marijuana and was on my way home to Sweet Home Chicago Suburb in Brookfield. But first I spent about three months in San Francisco waiting for the official discharge, General: Under Honorable Conditions. They put all of the druggies in "D" barracks. Typical Government operation, D for Drug addicts, easy to remember, simple to deploy, nothing to difficult for Chief Petty Officers to understand. Well, we were all getting out and had nothing better to do, than, well, drugs.

What? The Navy had no protocol for drug taking in their entire history going back to John Paul Jones. It was an epidemic by 1968 and they just said..."here, you guys stay in this area till we release you". So we had the stereo set up in the rec room and just listened to Traffic, Steppenwolf, Canned Heat, Jefferson Airplane, the Stones, The Doors, Jimi Hendrix Experience, the 13th Floor Elevators and got high. The Navy forced us to leave the lights on all night, which did not bother too many of us because Meth was everywhere in the barracks, anyway, no one slept that I could remember, we would just crash and get up later and start over................all day or night, it was always on in "D" barracks that Spring in San Francisco. I mean we could go ashore, but there were more drugs on Treasure Island Naval Base than Haight/Ashbury, or so it seemed. Plus the Summer of Love was over by the Spring of 1968. The atomsphere on Haight St. was extreme violence. Hell's Angels, San francisco Police, and tons of mace. I was there when the Police maced everyone inside the infamous Straight Theater . It was not too comical.

Finally, my orders came for my final physical and a ticket home. So, I went down to the infirmary, got my blood test and as I was standing in line, I blacked out, fell flat on my chin, broke my jaw. I had to have my mouth wired shut for 6 weeks. Get my wires off in April, I finally got my walking papers to fly back to Chicago with two pounds of some good grass I purchased outside of Francisco. As the Beatles song went...JoJo left his home in Tucson Arizona for some California Grass......... I left for Sweet Home Chicago with some California Grass....In those days, there was no dogs sniffing your bags, no security whatsoever. Transporting large quantities of dope was pretty easy , provided you did not look like a R. Crumb comic character. That came later at Skip's Apartment, that wonderful summer in Chicago, 1968. A lot of Cheap Thrills to come.

I got a job at the Brookfield Zoo that fateful summer, driving the tour guide train around the Zoo. We had three trains with two tour guides for each train. Since my friend, Gary Grunnet, got me the job, I knew everyone would be getting high, everyday, at the Zoo and I would fit right in. It was a perfect cartoon setting to start my Comic career. On weekends, me, and maybe another friend from the burbs would drive down to Chicago to hang out with Skip and his wife Cecil at their totally cool pad just off Clark street. We brought the reefer, and Skip had the great tunes. Cecil had munchies for everyone. That is probably when I officially became a Comic, right there at Skip's place when Robert Crumb and Jay Lynch came over and we all went to Lincoln Park in my 1963 Rambler but more about that later (as I am currently working on the Graphic Novel version of that entire incident.)

Don't get me wrong, I was a pretty funny guy at the Brookfield Zoo gig, too. We would take our breaks and go up behind the animal outdoor exhibitions and smoked hash or reefer in the brushes then come back to the train station , loaded and we would start the train up and drive around listening to Born To Be Wild going about 8 MPH. One of us was on the microphone at the back giving the "Rap" while the other was just stoned out driving this 8 car, 75 passenger train with car tire wheels around the Zoo, second largest in the World next to San Diego at that time. So, as a tour guide "Rapper", we each had a different style of craziness but mostly we copied each other's phrases and descriptions of the different Exhibits and funny antedotes.

Like at the Elephant House we would say something like..." And over on your right, ladies and gentleman , you will notice the Pachyderm House.........Superman is buried beneath this exhibit as well as we have the largest Pachyderm in the world here.... She is famous for attacking her trainers at the Ringling Bros Barnum & bailey Circus several years ago, killing two people......." The passengers would gasp and Moms and Dads would say.... 'look there kids..... a rogue killer Elephant, how cute".............

We used to feed the Orangutangs cigarettes on our breaks, too. They all loved to smoke. We would walk up to their cage and take out a cigarette, light it, smoke a few puffs and then flipped it to them through the bars. They would see us coming and line up with their hands out to be the first to catch a Smoke. The people standing around were amazed. The Orangutangs were from Borneo and when we drove by them with the tour train we used to say they liked to smoke Marlboros the best in Borneo, no believed us till they saw us flip them cigarettes. It was a great show, to watch them scramble for the smoke by all the Orangutangs, the lucky one who caught it first would put it to their huge lips and take a drag then smile and blow smoke out their nostrils and mouth then smile again and take another puff. They would generally hold the cigarette underhanded between their thumb and their first two fingers, the way a pansy would smoke. Or some Hollywood starlet. Once an Orangutang had the cigarette in his or her hand, the others would chase that one all around the cage trying to get the cigarette for themselves, except for Fatty.........

Fatty was the King of the Orangutangs. He weighted in at around 450 lbs and just sat there. He would just backhand anything or anyone that got close to him. When King Fatty wanted the cigarette , he would basically kick the crap out of whoever had it, force them to drop and run. Then he would smoke it, and dare anyone to mess with him.....to say the least no one did........he was the King.

One time we decided to flip them joints just to see what would happen, one for each of the seven Orangutangs with a giant dobie for King Fatty. It was a risky move. We decided we better do it before people got into the park or else we would be in deep sh^t, possibly. So a couple of the guys decided to do it before the park opened up one sunday morning. The Orangutangs loved it, they all had a joint of their own and thought it was great fun, so did we. On our breaks, we would go check in on their condition, like the song "just dropped in to see what condition my condition was in........ The Orangutangs were all great performers for the Public. But that morning after smoking a few joints, they got way out of hand. Once in a while they would have sex during the day in front of people. But that day, they all got into it, it was, well, an Orangutang orgy, that was the only way to describe it. King Fatty was swinging from the ceiling and then would tackle a female to the ground mount her for a while then move on to the next Honey Orangutang, the place was up for grabs!!!!!!!! People were running to see it from all directions. Finally the Zoo Keepers got out the tarps and covered the entire cage but you could still hear the grunting, moaning......and cheetah type laughter. Every heard???????????? never mind....................we had to play it cool, like we were as shocked as everyone else.........it was hard to get a straight face.

The Zoo Keepers suspected something was up, but no one got busted that day. When the Democratic Convention finally arrived in August, the Train drivers were all polarized against Mayor Daly and the Chicago Police. As the police rioted that week, we broadcasted from the Tour Guide PA system our political convictions as we travelled around the Zoo, pretty stoned out. I went down one afternoon on Tuesday to Grant park to hear Phil Ochs in the bandshell and watched the cops bust Tom Hayden. By this time I was learning how to actually keep on truckin' like a Robert Crumb comic character from Zap Comics and beginning my Street Guerilla Theater Comic career. Skip was there, he could tell ya.....

Thursday, June 18, 2009

MindShaft's Next Issue Coming out in August


Giola has posted the new cover of the August Issue of Mindshaft on our Facebook. It looks like a must have issue. Cover art is stunning. Some of our favs are in this issue, good friends R. Crumb and Skip Williamson to name a few. We recommend you reserve a copy today, but we dont really know how you do that. Maybe if you Google it, you can email Giola with your order. Keep in mind Mindshaft does not come out every month and they use old school printing process I am told to great effect. Tell 'em we sent 'cha, okey dokey

Monday, June 1, 2009

Mindshaft Magazine Sends a Thank You






Gioia Palmieri wrote us a nice Thank note on Facebook saying they were happy to see we posted their new issue of Mindshaft with Jay Lynch's Dou Tone Cover on The Comic Book College Weeklies blog. So we decided that it must have been ok even though we did not ask permission to use it, till just about 10 minutes ago, officially. That is why I took it down the other day, but now it is going back up, cover and all. So here is what they write on FaceBook, open an account and join this group......
Mineshaft is an independently published magazine that showcases art, comics, and literature bringing you exciting art from some of the world's greatests artists like R. Crumb, who designed our logos, Kim Deitch, Mary Fleener, Aline Kominsky-Crumb, Jay Lynch, Billy Childish, Robert Armstrong, Andrei Codrescu, Bruce Simon, Pat Moriarity, Sophie Crumb, Ed Piskor, J.R. Helton, Frank Stack, Aaron Lange, Bill Griffith, Joseph Remnant, Dennis Eichhorn, David Collier, Christoph Mueller, & More! It was started in 1999, comes out three times a year, and is printed on offset press. Mineshaft is edited and published by Gioia Palmieri and Everett Rand.

Welcome to the Mineshaft Magazine News & Views Group. Contributors, readers, and friends are welcome to post their own news, photos, videos, etc. regarding their art and latest projects as well as discussing Mineshaft, ask questions, give criticism, opinions and other feedback on the Facebook page. We joined the group. Nice cover Jay.

Friday, May 29, 2009

Sorry Guy Comics hits the Fan.........

We recently got a link sent to us on Facebook for Skip Williamson's Open Salon blog post about Independent Film Maker John Kinhart, creator of Sorry Guy comics. John is working on an independent doc film project about the life and art of Skip Williamson. But it seems that John originally approached Art Spiegelman and was turned down. So in the tradition of great, self effacing, truthful, autobiographical, Comic stories, John did a great strip about meeting Mr. Speigelman at some Lecture Hall. You just need to click on Sorry Guy's link http://sorrycomics.blogspot.com/ and read it yourself, it is dated May 16th 2009. We have asked John if we could reprint it here along with some kind of news update on the Doc. In the meantime, you can read Skip Williamson's article @
http://open.salon.com/blog/snappy_sam/2009/05/23/sorry_comics
Sorry Comics - Skip Williamson - Open Salon

Thursday, May 28, 2009

Screamin' Jay Hawkins in Airport lounge - Pearl Harbour '68


In fall of 1967, I was shipped out to Pearl Harbour on the island of Oahu, Hawaii to languish as a yeoman at ComPact Serv, a "wonderful" desk job that consisted mainly of getting the mail for the officers in my work station and an occasional 10 cent coke for the LT. Hawaii was great for the first two weeks, hanging out at Waikiki, going to the North Shore, watching them surf the big waves. But after 2 weeks, it all turned terribly boring and treadfully horrifying, to say the least. My friends back home were all envious as they were surfers that thought this was the dream job, being in Hawaii, no Viet Nam, surf every day etc.

Wrong, it was anything but that. As a matter of fact, it was Hell on earth as a young white dude from the mainland. They called us Howllies, I am sure it is spelled different than that, but that is how it sounded. It meant unwanted, white person, kind of like the word "nigger" is used as a racial slur, to be exact. It was the first time, I really felt racial prejudice as a white guy. Even though growing up in Brookfield/ La grange Il, one of the few western suburbs of Chicago that had integrated schools in the 50's, but nothing in life had prepared me for Hawaii 1967/68. The vibes were so intense everywhere you went, if you were white, that we, white sailors had few places to go. The black sailors fit in just about everywhere it seemed but not the white boys. So you had to pick and choose your spots as they say.

One friday night, I decided to go to the Airport Lounge near base with some "white guys" to have a few beers and listen to the jams of a top 40 California band. The Hondells, I believe they were called. So one of the sailors who was about my age, similar background and his friend, a "lifer" second class petty officer about 40,twice our age, pile into a cab. We were just 20 years old at the time but that was legal drinking age in Hawaii. I wondered why my friend Bill had asked the "Chief" to come along, but I never bothered to ask. We got to the bar, ordered drinks and sat back to listen to the band. "Chief" started to hustle this native chick right away. It was pretty uncomfortable at first, as there was not that many people in the bar. but then the band got up on stage, they were a "Beach Boy type band" a one hit wonder band, remember "Go little Honda? that was theirs, (of you dont remember it, that would be admitting your friggin' age). They ended up in Hawaii, playing this joint called the "Airport Lounge", next to, you guessed it The Airport. The keyboardist was a guy named Chuck Girard, who became better known as the singer/song writer of an early Christian Rock Group called "Love Song" about 5 years later.

So they are doing their set when Chuck says,"ladies and gentlemen", he was quick to point out that the crowd was mostly sailors and then there was the one Hawaiian lady at our table. He says, "We got a special treat for you all tonight, we want to welcome and bringon stage, the one and only,..... Screamin' Jay Hawkins" lets have a big round of applause for Screamin'Jay "I PUT A SPELL ON YOU" Hawkins.............." I was stunned, I went slightly crazy, clapping real loud.....well, then I stopped as everyone in the bar turned around to see who was screaming for Screamin' Jay Hawkins. I thought holy sh*t Batman, no one knows who this is?????????? So they break into a raunchy version of "I Put a Spell on You" with Screamin' Jay at the Helm and I am transported, as in gone, I cant believe it. I am thinking to myself, no one is going to believe this back home, Chicago.

So after the number was finished, Mr Hawkins is walking by our table and I jumped up and said "Screamin Jay. can I buy you a drink Sir"? He said, "dont mind if I do son". I sat him down next to me at the end of the booth (away from the others) and ordered him some kind of cocktail with a strange name. Well, the lounge was really dark and Screamin' Jay was really dark and I can only remember the whites of his eyes and his big grinnin' white teeth. I was a little drunk and started a rather nervous conversation about Chicago Blues men which I had little real knowledge of at that time, outside of Rock and Rollers, Fats Domino, Chuck Berry and Little Richard. My real understanding of Blues music, came not from Chicago Blues men themselves but from their White British counterparts, the rock groups like The Stones, The Animals, The Yardbirds,who had all done covers of famous blues songs/artists. I used to read the labels of their records to see who wrote these killer tunes. So I was familiar with names like John Lee Hooker, Ellis Mc Daniels (Bo Diddley), Wille Dixon and Screamin Jay Hawkins but not their original versions.

Ok, so right about now the "Chief",this redneck salty old racist sailor, is really getting uptight with me because I brought this greasy Black guy to his table for a drink! I found later that The Chief was going to bash both of us right there. Well, I paid the Chief no mind as I knew this was huge, once in a lifetime opportunity to meet the one and only Screamin" Jay Hawkins. I bought the drinks and by God, I was going to get my money's worth. Finally, I think, Jay realized the situation was getting tenser by the moment and he excused himself, slipping away in to the night. I just sat there pondering how I would tell everyone back home, I just met and had a drink with the one and only Screamin Jay Hawkins, that they did not even know yet? I don't think my surfer friends, at that time, save Artist, Skip Williamson, even knew who Screamin' Jay Hawkins was. No one did believe it at JPUSA, till ten years later........

I was working for the infamous Cornerstone magazine (Jpusa newspaper) in Chicago, doing art and advertising and interviews for their music section when I met Chuck Girard of LoveSong at his hotel room before a gig in the suburbs. He was telling us his testimony how he played in a one hit wonder "Beach Boy" type band. I said wait a minute, did you say you had a hit record on top 40 then ended up in a bar near the Airport in Hawaii in the Fall of 1967? He said yeah..... I said dude, did you ever bring Screamin Jay Hawkins up on stage to do "I Put a Spell On You"? He said yeah I remember doing that, I said I was there that night, I bought Screamin Jay a drink and almost got my lights punched out for it!!!!! I said, "You were playing the Keyboards, right?" He said yeah. Jon Trot just rolled his eyes.

As Chuck Girard ( leader singer for Christian Rock Band, Love Song) can testify, both stories did happen. When Drew Friedman's "Screamin Jay Hawkins" Art print showed up on my Facebook Highlights the other day, I thought it was time to tell the tale. Drew gave me permission to post it here and below is a link to his website where you can see and purchase more of his fab work, and if you get stationed in Hawaii sometime, just be patient, you will get out alive, if you be cool.......
Fine Art Prints Available at http://drewfriedman.net/
Posted by Comic Book College Weeklies at 4:11 PM 0 comments
Labels: From the President's Desk
Wednesday, May 27, 2009


Fine Art Prints Available at http://drewfriedman.net/

Wednesday, May 27, 2009

Update on R. Crumb's "Book of Genesis"


From the President's Desk

Here is preview of the cover art

Here at the Comic Book College Weeklies, we recently got word from long time friend, Jay Lynch, that Robert Crumb was working on illustrating the Bible..."Holy Scriptural Interpretations, Batman, that would be colossal if true"?
"Yes, Robin, I can see the All Time Best Seller actually make the NY Times best seller list for the first time..... if it is true, Robin"? Well, folks it is true. We asked Denis Kitchen if he was handling it for Crumb and here is what Denis wrote back......

I agented the book. But it’s not the entire Bible. It’s called The Book of Genesis According to R. Crumb. Done straight (that is literally,......) Coming from W. W. Norton probably late 2009. ---Denis



Saturday, May 23, 2009

Wacky Packs and The Underground


Just for Fun - Totally Pointless
Description:
Wacky Packages are a series of trading cards featuring parodies of American consumer products. The cards were produced by the Topps Company beginning in 1967, usually in a sticker format. The original series sold for two years, and the concept proved popular enough that it has been revived every few years since. Per trader legend, at one time the product outsold Topps baseball cards.

Relying on the talents of such comics artists as Kim Deitch, George Evans, Drew Friedman, Bill Griffith, Jay Lynch, Norman Saunders, Art Spiegelman, Bob Stewart and Tom Sutton, the cards spoofed well-known brands and packaging, such as "Crust" (instead of Crest) toothpaste, "Blisterine" (instead of Listerine), and "Neveready" batteries (for Eveready Industries batteries). The initial series was followed by a somewhat different Wacky Ads line in 1969, featuring gags and roughs by Lynch and Deitch with finished paintings by Sutton. These cards were designed more like miniature billboards with a die-cut around the parodied product, so it could pop out of the horizontal billboard scene.

Wacky Packages returned in 1973 for a highly successful run. According to trader legend, these cards were then the only Topps product to achieve higher sales than its flagship line of baseball cards. They continued until 1977 through a total of 16 series. Some cards were sold in reprinted editions beginning in 1979 to 1980. (4 series with puzzle/checklist backs)

Newly designed series were produced in 1985 and 1991, but these strayed from the original concept and were not as successful. A new series of stickers was released in 2004, and continued into a sixth set in 2007. These series have been very successful with the return of cartoonist Jay Lynch, plus newcomers David Gross, Strephon Taylor, George Wright, Adam Harris and Neil Camera. This series also marks a return to the use of underground comix artists including M. Wartella. In 2007, Topps released its series 5 and 6 in the Wacky Package Series.

In February 2008, Topps released a series of Wacky Packages called Flashbacks. This series contained artwork from previously released cards as well as unreleased artwork to make a set of 72 base cards. Moving towards the trend with other types of trading cards, this set also featured a number of rare chase cards. Article reprinted from Facebook's Wacky Packages Group copyright 2009. Join this Group at Facebook and join the FUN